Drawing Quotes

The divisions of Perspective are 3, as used in drawing; of these, the first includes the diminution in size of opaque objects; the second treats of the diminution and loss of outline in such opaque objects; the third, of the diminution and loss of colour at long distances.

For being a bad student I was banished to the 'calaboose' - a bare cell with whitewashed walls and a bench to sit on. I liked it there, because I took along a sketch pad and drew incessantly I could have stayed there forever drawing without stopping

Drawing ... is an innocent & engaging amusement, often useful, and a qualification not to be neglected in one who is to become a mother & an instructor.

Rhythm is a perception of time... when drawing, the tiredness of the hand is a rhythm.

Many are they who have a taste and love for drawing, but no talent; and this will be discernible in boys who are not diligent and never finish their drawings with shading.

Matisse makes a drawing, then he makes a copy of it. He copies it five times, ten times, always clarifying the line. He’s convinced that the last, the most stripped down, is the best, the purest, the definitive one; and in fact, most of the time, it was the first. In drawing, nothing is better than the first attempt.

Drawing is a kind of hypnotism: one looks in such a way at the model, that he comes and takes a seat on the paper.

The light for drawing from nature should come from the North in order that it may not vary. And if you have it from the South, keep the window screened with cloth, so that with the sun shining the whole day the light may not vary. The height of the light so arranged as that every object shall cast a shadow on the ground of the same length as itself.

Never make heads straight on the shoulders, but turn them aside to the right or to the left, even though they look down, or upward, or straight ahead, because it is necessary for them to look lively and awake and not asleep. And do not depict the front or rear half of the whole person so that too much straightness is displaced, one half above or below the other half; and if you should wish to use stiff figures, do so only in portraying old people.

There's nothing more difficult than a line.

To know what you’re going to draw, you have to begin drawing... When I find myself facing a blank page, that’s always going through my head. What I capture in spite of myself interests me more than my own ideas.

I draw like other people bite their nails.

He who draws... ought to take his position so that the eye of the figure he is drawing is on a level with his own... because, generally, figures or people whom you meet in the streets all have their eyes at the same level as yours, and if you make them higher or lower you will find that your portrait will not resemble them.

Drawing is based upon perspective, which is nothing else than a thorough knowledge of the function of the eye.