Directing Quotes

After directing awhile, you get an instinct about it, but you have to be able to trust your own feelings. Invariably, two-thirds of the way through a film, you say, "Jeezus, is this a pile of crap! What did I ever see in it in the first place?" You have to shut off your brain and forge ahead, because by that time you're getting so brainwashed. Once I commit myself to a film I commit myself to that ending, whatever the motivations and conclusions are.

I'm older and wiser. So and now having segued into filmmaking I'm looking at [Ridley Scott ] and what he does in an entirely different way and I have respect for what he does and how he composes shots. So that was what was completely fascinating.

I had one well known director who kept saying, "Now Clint, this is what ...." And I'd say, "I know. I read the script. I'm the one who cast you as the director. Let me show you and you'll correct me if I'm wrong."

I have a new respect for filmmakers, that's for sure, 'cause it's not easy. If I'm allowed to, I'll be directing for the rest of my life. I love the process.

When you work with kids, especially, you want to be ready to turn the camera on at a moment's notice.

I liked Vittorio De Sica a lot, and I got to work with him once in a segment movie. He was a great director. He was a very charismatic character and a guy I watched a lot when he was directing.

Actors know, with me they aren't going to be allowed to rehearse a scene for a couple of hours and then get away with doing 25 takes before we get it right. So they come with their full bag of tricks.

Acting to me is a very organic art form and you just go and do it. And I like to direct the same way that I like to be directed. Let me bring in what I want to bring in, and if something's wrong, just tell me about it and I'll make some corrections or adjustments. And that's what I do.

When I'm a director, I look at myself the actor as a completely different person. It's somebody else up there, an actor playing a role. I keep myself out of it.

Everybody accuses me of moving fast when I direct a picture. I don't move fast, but I just keep moving.

I like to direct the same way that I like to be directed.

I have been trying to retire to the back of the camera for quite a few years, and in 1970, when I first started directing, I said, 'If I could pull this off, I can some day move to the back of the camera and stay there.'

I had always planned when I started directing in 1970 that after a few years I'd get tired of looking at myself on the screen and say: "Hey, let's not do that any more." But then every once in a while something pops up. I'm not saying it won't happen again but probably the odds get less as you set yourself for roles that fit your age group.

Don Siegel last advice to me was 'Don't short yourself.' He said the tendency is when an actor's directing is to kind of you want to work on everybody else but you're going to short yourself. He said, take the time to do a good job with yourself so that you're satisfied with it.

Directing is more like you're being a psychologist and you're kind of analyzing the situation and evaluating each person for their idiosyncrasies.

If you ever go to a music session, you'll notice that the musicians can sit down and start playing right away, and everyone knows what to do. Of course they're reading it, but the conductor can tweak little things, and you can take that back to directing motion pictures.

I worked with Sidney Lumet years ago, and we had a long rehearsal process, and he would tape out the entire set on the stage, so I stole that from him.

I know, as an actor, I don't like sharing everything with the director. And it's fine if they don't with me.

I pay tribute to the writing always. The writer is a creative artist and the director is an interpretive artist and the actors are interpretive. You take zero and make it into something, that's always amazing to me.

Writing is a creative art form and the acting and directing is more of an interpretive art form.

After directing the first film it feels kind of tricky being back to being in front of the camera, because I've always got one eye over there, kind of thinking of what they are doing, and how the shot is being composed. I think it takes a couple of films to just get back to just being an actor.

Denzel Washington: I like the collaboration, I like seeing people do well, so I really plan to direct the rest of my days.

Directing requires great discipline, that ability to be in and out at the same time. The great ones I've worked with are like generals. It's a bit like a small war on that level. The great ones have that combination of freedom and control. I'm nowhere near that. There's still so much to do as an actor. I have enough to explore with that.

The only reason I'm acting in films I direct is to get the money to make them, quite frankly, it's not what I'm interested in doing.

As an actor, you're a color of paint on someone else's palette. But as a director, it's your canvas and you make the painting you want to make.

When you trust the director you want to trust his or her choices. I don't want to say, 'No, I don't like this girl or that guy," when the director really loves them. No, you want to go with what the director likes.

I've always said the one advantage an actor has of converting to a director is that he's been in front of the camera. He doesn't have to get in front of the camera again, subliminally or otherwise.