Writers Quotes

Most writers, in my opinion, are dysfunctional derelicts.

We all begin life as parasites within the mother, and writers begin their existence imitatively, within the body of letters.

I like the hip writers: Fitzgerald, the guy who committed suicide, Hemingway, all those guys. Some of them were alcoholics and drug addicts but they had fun. They were real people. They formed the culture of American literature. Hemingway admired Tolstoy, Tolstoy admired Pushkin, and Mailer admired Hemingway. It all flows down. The greats are all connected. One day I'm gonna write a book myself. The first chapter will be about what a rough deal my momma got. She believed in you guys and your society.

People don't think of writers as sex objects. The women who write to me and suggest that we ought to have sex usually turn out to be, like, eighty. And their letters always end with, "Just joking."

Until the 20th century it was generally assumed that a writer had said what he had to say in his works.

Writers may be classified as meteors, planets, and fixed stars.

Many writers are neither spirit nor wine, but rather spirits- of-wine: they can catch fire, and then they give off heat.

No one, at any rate no English writer, has written better about childhood than Dickens. In spite of all the knowledge that has accumulated since, in spite of the fact that children are now comparatively sanely treated, no novelist has shown the same power of entering into the child's point of view.

Joyce is a poet and also an elephantine pedant.

Good writers have two things in common: they prefer to be understood rather than admired; and they do not write for knowing and over-acute readers.

I do not think one can assess a writer's motives without knowing something of his early development. His subject matter will be determined by the age he lives in ... but before he ever begins to write he will have acquired an emotional attitude from which he will never completely escape.

There is a minority of gifted, willfuf people who are determined to live their own lives to the end, and writers belong in this class.

Billy Collins writes lovely poems. Limpid, gently and consistently startling, more serious than they seem, they describe all the worlds that are and were and some others besides.

Even the most honest writer lets slip a word too many when he wants to round off a period.

Alan Zweibel is the funniest writer in the world. He might be even funnier when he's naked, but I'm afraid to find out.

John Barth, I think, was really a writer of my own age and somewhat of my own temperament, although his books are very different from mine, and he has been a spokesman for the very ambitious, long, rather academic novel. But I don't think that what he is saying, so far as I understand it, is so very different from what I'm saying.

The difficulty with humorists is that they will mix what they believe with what they don't; whichever seems likelier to win an effect.

In this way, writers are indeed, as Henry Miller suggested, traitors to the human race. We may turn a light on inequity, injustice, and oppression from time to time, but we regularly kill what we love in insidious fashion.

Who would not spout the family teapot in order to talk with Keats for an hour about poetry, or with Jane Austen about the art of fiction?

Writers ought to be regarded as wrongdoers who deserve to be acquitted or pardoned only in the rarest cases: that would be a way to keep books from getting out of hand.

When you find a writer who really is saying something to you, read everything that writer has written and you will get more education and depth of understanding out of that than reading a scrap here and a scrap there and elsewhere. Then go to people who influenced that writer, or those who were related to him, and your world builds together in an organic way that is really marvelous.

Never believe anything a writer tells you about himself. A man comes to believe in the end the lies he tells himself about himself.

The purpose of a writer is to keep civilization from destroying itself.

Jim Harrison is someone I always enjoy, one of the great contemporary writers. I like Tim Ferris' Big Boom Theory. I'm getting into a different kind of reading, not straight novels.

Two sorts of writers possess genius: those who think, and those who cause others to think.

Every writer, big or small, needs to say or write that the genius is always hissed at by his contemporaries. Naturally, this is not true, it happens only occasionally and often by chance. But this need within the writer is enlightening.

The writers I care about most and never grow tired of are: Shakespeare, Swift, Fielding, Dickens, Charles Reade, Flaubert and, among modern writers, James Joyce, T. S. Eliot and D. H. Lawrence. But I believe the modern writer who has influenced me most is Somerset Maugham, whom I admire immensely for his power of telling a story straightforwardly and without frills.

The measure of artistic merit is the length to which a writer is willing to go in following his own compulsions.

The thing about Proust is his combination of the utmost sensibility with the utmost tenacity. He searches out these butterfly shades to the last grain. He is as tough as catgut and as evanescent as a butterfly's bloom.

I'm evangelical on the subject of some chefs and writers.

We [writers] must know that we can never escape the common misery and that our only justification, if indeed there is a justification, is to speak up, insofar as we can, for those who cannot do so.

An aging writer has the not insignificant satisfaction of a shelf of books behind him that, as they wait for their ideal readers to discover them, will outlast him for a while.

Writers may be disreputable, incorrigible, early to decay or late to bloom but they dare to go it alone.

All writers are vain, selfish and lazy, and at the very bottom of their motives lies a mystery.

There are certain kinds of people who write science fiction. I think a lot of us married late. A lot of us are mama's boys. I lived at home until I was 27. But most of the writers I know in any field, especially science fiction, grew up late. They're so interested in doing what they do and in their science, they don't think about other things.

I really don't want to encourage young writers. Keep them down and out and silent is my motto.

The comparison between Coleridge and Johnson is obvious in so far as each held sway chiefly by the power of his tongue. The difference between their methods is so marked that it is tempting, but also unnecessary, to judge one to be inferior to the other. Johnson was robust, combative, and concrete; Coleridge was the opposite. The contrast was perhaps in his mind when he said of Johnson: "his bow-wow manner must have had a good deal to do with the effect produced.

The modern writer who has influenced me most is W. Somerset Maugham .